WHO TI kede loni pe wọn yoo ṣe ifilọlẹ ibugbe iyasoto Las Vegas ni akoko ooru yii ni The Colosseum ni Kesari Palace bẹrẹ ni Oṣu Keje ọjọ 29, ọdun 2017.
Ọkan ninu awọn ẹgbẹ arosọ ati asọye ti apata julọ, THE WHO darapọ mọ ile ti awọn olukọni nla julọ ni agbaye bi ẹgbẹ akọkọ apata lati gba ibugbe ni The Colosseum niwon ibi isere ti ṣii ni 2003.
Awọn tiketi fun ṣiṣe akọkọ ti awọn ifihan mẹfa ti a ṣeto ni Oṣu Keje 29 si Oṣu Kẹjọ Ọjọ 11 yoo lọ si tita si ita ni ibẹrẹ Ọjọ Jimọ, Oṣu Kẹta Ọjọ 17 ni ọsan PT. Ibugbe ti gbekalẹ ni apapọ nipasẹ Caesars Entertainment ati AEG Presents.
Awọn ifihan mẹfa akọkọ ti o wa ni tita ni:
Jul.: 29
Aug.: 1, 4, 7, 9, 11
Awọn onibakidijagan le nireti pe ẹgbẹ naa yoo mu wọn ni ‘Irin-ajo Iyanu’ nipasẹ gbogbo iṣẹ wọn lati awọn ọjọ ti ‘Awọn NỌMBA NIPA’ si awọn awo-orin alailẹgbẹ bii ‘WHO NI TITẸ,’ ’TOMMY,’ ’QUADROPHENIA,‘ ’Iran MI’ ati 'GBIGBE NI LEEDS' titi di oni.
THE WHO have sold over 100 million records since forming in 1964; they brought together four different personalities and in effect produced a musical hurricane. Each of them was a pioneer. Wildman drummer Keith Moon beat his kit with a chaotic elegance; stoic bassist John Entwistle held down the center with the melodic virtuosity of a solo guitarist; raging intellectual Pete Townshend punctuated the epic universality of his songs with the windmill slamming of his fingers across his guitar strings; and Roger Daltrey roared above it all with an impossibly virile macho swagger. They exploded conventional rhythm and blues structures, challenged pop music conventions, and redefined what was possible on stage, in the recording studio, and on vinyl. Now into their 53rd year, the band is still going strong and winning rave reviews.
